![]() ![]() City of Quartz: Excavating the Future in Los Angeles, London: Verso.ĭean, Jodi. The Manchurian Candidate, New York: New American Library.ĭavis, Mike. Writing Security: United States Foreign Policy and the Politics of Identity, Minneapolis: University of Minnesota Press.Ĭondon, Richard. “Ramble City: Postmodernism and Blade Runner,” in Annette Kuhn, ed., Alien Zone, London: Verso, pp. Politics Out of History, Princeton, NJ: Princeton University Press.īruno, Giuliana. The Martian Chronicles, New York: Doubleday.īrown, Wendy. “Friends of Bil1,” The American Spectator (May): 58–59.īradbury, Ray. Looking Backward, 2000–1887, Boston: Ticknor and Co.īowman, James. Global Sex, Chicago: University of Chicago Press.īellamy, Edward. This process is experimental and the keywords may be updated as the learning algorithm improves.Īltman, Dennis. ![]() These keywords were added by machine and not by the authors. From The War of the Worlds to The Clash of Civilizations, the alien has been an omnipresent figure in American politics and popular culture, one whose liminality both beckons and threatens. On the other hand, the cosmos’ end-less depths threatened unimaginable horrors, as alien Others fell upon Earth, to conquer, occupy, and kill its inhabitants. On the one hand, the Moon, the planets, and the stars offered a vista of limitless lebensraum, into which societies of a specific cultural type-usually American, as seen in the more halcyon moments of Ray Bradbury’s Martian Chronicles (1950) or the less halcyon ones of Robert Heinlein’s Starship Troopers (1959)-could expand and forever reproduce, meeting, fighting, and vanquishing Others encountered along the final frontier. ![]() For at least a century, Outer Space has been a source of both promise for and threat to the Westphalian state. ![]()
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